I'm not going to Kid, playing Jazz Guitar is extremely difficult at best and almost completely impossible at worst. However, there are things you can do to improve your improvisation skills and feeling and we'll discuss throughout this multi part series then to take additional documents in the near future.

Practice

What can I say about the practice? Just do it and do it often! Do it every day. When you think you've done enough do it again.

I do not mean just picking up the guitar and play a few songs, I mean the real practice for environmental you will eventually play in what is, of course, in a set with other musicians who we hope will always be better than you.

Here are the basics …

When practicing always use a metronome!

If I am not clear in May that part may be this helps: Always use a metronome!

If you feel you do not need a metronome stop reading this article, stop practicing and go for ice cream because you get the same or better results and you will surely find fun a whole lot more in the process if you do. If you are committed read.

Still with me?

When you use your metronome try feel your timing on different clicks. For example, for a swing feel that your click of the metronome on beats 2 and 4 instead of 1 and 3. This will give you a feeling immediate swing and also remove the ugly crutch if you have to know where 1 is really beat.

We never, ever, we want have our drummer, who may be in the middle of an improvisation experimental complex when you need it most, to tell us where 1 is defeated. How many times have you been in this situation?

Sound simple? It is!

Sounds easy? Try for a month and you let me know how it goes.

Let's dive in a bit. When practicing using this technique of moving clicks of a metronome beats to try these: to exercise a tune 3 / 4 using the metronome click, once per measure and only on Beat 2. Then just go on beats 3. See how changes in sentiment. Practice it, learn it, smell it and then you can start to make it his own.

If you want get fancy up the metronome to click on every fifth beat while you play a piece in 3. This will shift the accents and the feeling from bar to bar and allow Also your brain to get rid of it is a learned behavior that is designed to make you want to think not.

What did you say?

That's right! More times than not the human brain is your biggest enemy. It always seeks the comfort and practice as described above Not at all comfortable for your brain. In these cases, I recommend your brain say that my son often likes to say: "… To bad, so sad!

We as musicians need to try and understand the natural tendencies of the brain is normal behavior so that we can really learn to ourselves challenge to open our minds to gargantuan creative possibilities that await us when we do. This does not happen by accident, nor is it by itself gonna come or easy. It takes an extreme effort on our parts.

Whether you have your instrument with you or not, you can practice your timing. If you get a small battery operated metronome, which I recommend, you can bring it with you when you're driving back and forth to work. Examples above practices in your car while singing. Do not worry if you can not sing you try to have these feelings and if you can not express these feelings with your voice you can never really possess.

I have mentioned several examples of moving beats. The idea is simple enough so you can find variations on your own and you must keep changing them when you practice.

The point here is that true understanding and your eventual ownership of different rhythms and feelings associated with them do not reside strictly within these rhythms and feelings. Looking only within the beats you're shutting off all creative thought, which is necessary for truly exploit their full potential.

Real understanding is outside and you have to know what that means. To find really, you must force yourself and be prepared to look elsewhere, but their own beats. This simple technique metronome you will start and point you on your way to achieve this goal. Do not limit yourself to apply this technique yet, but this statement is for another part of this series.

Have fun, practice and always listen to your heart!

About the Author:

John Belthoff is a Professional Audio Engineer and an Avid Web Developer who plays and also teaches Jazz Guitar in his spare time. His latest web projects include the Internet Production Guide and he owns a small Asp Hosting Company.

Article Source: ArticlesBase.com – The Art of Playing Jazz Guitar – A True Preparation Primer Part 1

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